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Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (4 (224)): 105–119.
Published: 01 December 2014
AbstractView article PDF
The diva inhabits and elicits desire that exceeds and implicates the normal. Lena Horne’s 1963 duet with July Garland embodies a model for the ways a Black diva disciplines her body to occupy desire while simultaneously maneuvering against the disciplining clutches of racist desires that circumscribe her body.