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Dror Harari
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2018) 62 (4 (240)): 41–63.
Published: 01 December 2018
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Israeli art of the 1960s–’70s was a thriving scene of performative art practices, of which very little is known to the international community of performance researchers. Evolving gradually in response to new trends on the American and European art scenes, these performative manifestations reacted to and reflected the specific local circumstances that would eventually result in a major change in the country’s life, culture, and art.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2016) 60 (1 (229)): 157–164.
Published: 01 March 2016
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Nataly Zukerman “comes out” in this autobiographical performance piece, exposing to the public eye the “invisibility” of her limp; an invisibility imposed on her by a society that insists on downplaying her disability in an attempt to normalize her. Her “other body” is set against not only the universally fabricated image of the privileged able body but also, quite specifically, the idealized, physically fit, heroic Israeli body.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (2 (210)): 137–149.
Published: 01 June 2011
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Intimacy is explored and encountered in contemporary performances that feature one performer and one spectator/participant, including Laotang by Israeli choreographer Danielle Agami. The state (and possible future) of human relations lies at the heart of one-to-one live works, which draw attention to the idea that our subjective experience is not only embodied but inherently relational.