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Erin B. Mee
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2018) 62 (4 (240)): 141–145.
Published: 01 December 2018
Abstract
View articletitled, Aromatheatre: Communication and Multimedia Design’s Famous Deaths
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for article titled, Aromatheatre: Communication and Multimedia Design’s Famous Deaths
In Famous Deaths , spectators experience the final moments of a celebrity’s life (John Fitzgerald Kennedy, Whitney Houston, Lady Diana, and Muammar Gaddafi) through only sound and scents — from inside a morgue drawer. The site-specific piece is an example of what I call aromatheatre, which is apprehended through the olfactory system.
Journal Articles
Born-Digital Scholarship
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2018) 62 (3 (239)): 8–9.
Published: 01 September 2018
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2016) 60 (3 (231)): 165–171.
Published: 01 September 2016
Abstract
View articletitled, The Audience Is the Message: Blast Theory’s App-Drama Karen
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for article titled, The Audience Is the Message: Blast Theory’s App-Drama Karen
“App-drama” is a new theatrical genre that exists in the liminal space between live performance and electronic prerecording. Karen uses the data participants provide to tailor her conversations to the participant in a participatory smartphone theatre production/game/film about the virtual relationships we create by oversharing private information in virtual spaces.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (3 (223)): 69–83.
Published: 01 September 2014
Abstract
View articletitled, Standing Man and the Impromptu Performance of Hope: An Interview with Erdem Gündüz
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for article titled, Standing Man and the Impromptu Performance of Hope: An Interview with Erdem Gündüz
Erdem Gündüz discusses his “Standing Man” protest-performance on 17 June 2013 in Istanbul, with an analysis of the influence of that performance on the Gezi Park protests.
Journal Articles
Hearing the Music of the Hemispheres
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2013) 57 (3 (219)): 148–150.
Published: 01 September 2013
Abstract
View articletitled, Hearing the Music of the Hemispheres
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PDF
for article titled, Hearing the Music of the Hemispheres
Music of the Hemispheres is a concert, a film, a portrait, an improv, and a performed (neural) performance analysis that offers new ways of thinking about perception, spectatorship, and the brain. TDR 's first born-digital multimodal article incorporates film, video, and audio clips that are integrated in, and central to, the argument.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2012) 56 (3 (215)): 167–177.
Published: 01 September 2012
Abstract
View articletitled, The Cultural Intifada: Palestinian Theatre in the West Bank
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for article titled, The Cultural Intifada: Palestinian Theatre in the West Bank
Three prominent Palestinian theatres use performance as a form of and forum for resistance to occupation. In the words of Juliano Mer Khamis, the murdered artistic director The Freedom Theatre, “We believe that the third intifada, the coming intifada, should be cultural, with poetry, music, theatre, cameras, and magazines.”
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (3 (211)): 191–195.
Published: 01 September 2011
View articletitled, Performance and Cognition: Theatre Studies and the Cognitive Turn. Edited by Bruce McConachie and F. Elizabeth Hart. London: Routledge, 2006; 256 pp. $153.00 cloth, $39.95 paper, e-book available. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. By Bruce McConachie. New York: Palgrave Macmillan, 2008; 260 pp. $80.00 cloth
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PDF
for article titled, Performance and Cognition: Theatre Studies and the Cognitive Turn. Edited by Bruce McConachie and F. Elizabeth Hart. London: Routledge, 2006; 256 pp. $153.00 cloth, $39.95 paper, e-book available. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. By Bruce McConachie. New York: Palgrave Macmillan, 2008; 260 pp. $80.00 cloth
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (3 (211)): 9–17.
Published: 01 September 2011
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2007) 51 (4 (196)): 181–184.
Published: 01 December 2007
View articletitled, A Critical Stage: The Role of Secular Alternative Theatre in Pakistan . By Fawzia Afzal-Khan. Kolkata: Seagull Books, 2005; 143 pp. $25.00 paper; Poetics, Plays, and Performances: The Politics of Modern Indian Theatre . By Vasudha Dalmia. New Delhi: Oxford University Press, 2006; 366 pp.; illustrations. £19.99 cloth; Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947 . By Aparna Bhargava Dharwadker. Iowa City: University of Iowa Press, 2005; 478 pp.; illustrations. $49.95 cloth
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PDF
for article titled, A Critical Stage: The Role of Secular Alternative Theatre in Pakistan . By Fawzia Afzal-Khan. Kolkata: Seagull Books, 2005; 143 pp. $25.00 paper; Poetics, Plays, and Performances: The Politics of Modern Indian Theatre . By Vasudha Dalmia. New Delhi: Oxford University Press, 2006; 366 pp.; illustrations. £19.99 cloth; Theatres of Independence: Drama, Theory, and Urban Performance in India Since 1947 . By Aparna Bhargava Dharwadker. Iowa City: University of Iowa Press, 2005; 478 pp.; illustrations. $49.95 cloth
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2006) 50 (4 (192)): 183–185.
Published: 01 December 2006
View articletitled, The Oxford Companion to Indian Theatre . Edited by Ananda Lal. New Delhi: Oxford University Press, 2004; 563 pp.; illustrations. $88.00 cloth.
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PDF
for article titled, The Oxford Companion to Indian Theatre . Edited by Ananda Lal. New Delhi: Oxford University Press, 2004; 563 pp.; illustrations. $88.00 cloth.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2002) 46 (3 (175)): 82–104.
Published: 01 September 2002
Abstract
View articletitled, Shattered and Fucked Up and Full of Wreckage: The Words and Works of Charles L. Mee
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for article titled, Shattered and Fucked Up and Full of Wreckage: The Words and Works of Charles L. Mee
Charles L. Mee is a major American writer whose plays—collages/montages for the theatre—are widely produced and very influential. This is the first overview of Mee's work, edited and with writings by Erin B. Mee. Included in this section are an analytic introduction, an interview, a manifesto, a chronology, and a play.