In Famous Deaths , spectators experience the final moments of a celebrity’s life (John Fitzgerald Kennedy, Whitney Houston, Lady Diana, and Muammar Gaddafi) through only sound and scents — from inside a morgue drawer. The site-specific piece is an example of what I call aromatheatre, which is apprehended through the olfactory system.

“App-drama” is a new theatrical genre that exists in the liminal space between live performance and electronic prerecording. Karen uses the data participants provide to tailor her conversations to the participant in a participatory smartphone theatre production/game/film about the virtual relationships we create by oversharing private information in virtual spaces.

Erdem Gündüz discusses his “Standing Man” protest-performance on 17 June 2013 in Istanbul, with an analysis of the influence of that performance on the Gezi Park protests.

Music of the Hemispheres is a concert, a film, a portrait, an improv, and a performed (neural) performance analysis that offers new ways of thinking about perception, spectatorship, and the brain. TDR 's first born-digital multimodal article incorporates film, video, and audio clips that are integrated in, and central to, the argument.

Three prominent Palestinian theatres use performance as a form of and forum for resistance to occupation. In the words of Juliano Mer Khamis, the murdered artistic director The Freedom Theatre, “We believe that the third intifada, the coming intifada, should be cultural, with poetry, music, theatre, cameras, and magazines.”

Charles L. Mee is a major American writer whose plays—collages/montages for the theatre—are widely produced and very influential. This is the first overview of Mee's work, edited and with writings by Erin B. Mee. Included in this section are an analytic introduction, an interview, a manifesto, a chronology, and a play.