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Frank Camilleri
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (3 (227)): 108–122.
Published: 01 September 2015
Abstract
View articletitled, Of Hybrids and the Posthuman: Performer Training in the 21st Century
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for article titled, Of Hybrids and the Posthuman: Performer Training in the 21st Century
A post-psychophysical theoretical and practical framework for performer training is evolving in response to sociological theories of material and immaterial labor, the formulation of “dynamic hybridity” from the field of human geography, and contemporary posthuman thought.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2013) 57 (1 (217)): 152–166.
Published: 01 March 2013
Abstract
View articletitled, Between Laboratory and Institution: Practice as Research in No Man's Land
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for article titled, Between Laboratory and Institution: Practice as Research in No Man's Land
Is practical performance laboratory work feasible within an institutional academic setting? The possibilities for practice as research in contemporary academia is examined through an ongoing research project that focuses on the area between training and performance.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2008) 52 (4 (200)): 82–97.
Published: 01 December 2008
Abstract
View articletitled, Collective Improvisation: The Practice and Vision of Ingemar Lindh
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for article titled, Collective Improvisation: The Practice and Vision of Ingemar Lindh
Ingemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet fö;r Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle.