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Journal Articles
LongYarn
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2017) 61 (1 (233)): 124–160.
Published: 01 March 2017
Abstract
View articletitled, LongYarn
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for article titled, LongYarn
An aged master storyteller, Mother spins a hilarious and unbelievable yarn of her life story, from cow pastures to pirate ships to canine space travel, while her two adult sons listen with rapturous attention or exasperation. Jason Craig’s latest play, developed with actor Jessica Jelliffe and their celebrated theatre company Banana Bag & Bodice, asks what the value of a good story is, regardless of its relationship to the truth.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2016) 60 (4 (232)): 149–157.
Published: 01 December 2016
Abstract
View articletitled, Opera and the Folds of Time in the Prototype Festival
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for article titled, Opera and the Folds of Time in the Prototype Festival
The Prototype Festival, which takes place every January in New York City, focuses on contemporary chamber opera and music. The works in Prototype 2016 paint a vision for contemporary opera that is politically motivated and story-centric. How do these qualities interact with opera’s unique relationship to time and its ability to stop, elongate, or rapidly flip our sense of temporality?
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2016) 60 (2 (230)): 169–172.
Published: 01 June 2016
View articletitled, Topless Cellist: The Improbable Life of Charlotte Moorman . By Joan Rothfuss. Foreword by Yoko Ono. Cambridge, MA: MIT Press, 2014; 464 pp.; illustrations. $34.95 cloth. Ellen C. Covito: Works After Weather . Edited and compiled by No Collective. Brooklyn, NY: Already Not Yet, 2014; 172 pp.; illustrations. $30.00 paper. Available through Creative Commons: http://issuu.com/alreadynotyet/docs/ellenccovitoworksafterweather
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PDF
for article titled, Topless Cellist: The Improbable Life of Charlotte Moorman . By Joan Rothfuss. Foreword by Yoko Ono. Cambridge, MA: MIT Press, 2014; 464 pp.; illustrations. $34.95 cloth. Ellen C. Covito: Works After Weather . Edited and compiled by No Collective. Brooklyn, NY: Already Not Yet, 2014; 172 pp.; illustrations. $30.00 paper. Available through Creative Commons: http://issuu.com/alreadynotyet/docs/ellenccovitoworksafterweather
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (1 (221)): 178–181.
Published: 01 March 2014
View articletitled, Voice: Vocal Aesthetics in Digital Arts and Media. Edited by Norie Neumark, Ross Gibson, and Theo van Leeuwen. Cambridge, MA: MIT Press, 2010; 440 pp. $40.00 cloth, e-book available. Dramatic Theories of Voice in the Twentieth Century. By Andrew M. Kimbrough. Amherst, NY: Cambria Press, 2011; 334 pp. $114.99 cloth, e-book available
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PDF
for article titled, Voice: Vocal Aesthetics in Digital Arts and Media. Edited by Norie Neumark, Ross Gibson, and Theo van Leeuwen. Cambridge, MA: MIT Press, 2010; 440 pp. $40.00 cloth, e-book available. Dramatic Theories of Voice in the Twentieth Century. By Andrew M. Kimbrough. Amherst, NY: Cambria Press, 2011; 334 pp. $114.99 cloth, e-book available
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2012) 56 (2 (214)): 56–80.
Published: 01 June 2012
Abstract
View articletitled, “What Was the War Like?”: Experiencing Surrender ; Talking with Josh Fox
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for article titled, “What Was the War Like?”: Experiencing Surrender ; Talking with Josh Fox
International WOW Company's Surrender combines elements of avantgarde performance, dramatic karaoke, and audience participation to create an immersive portrait of urban combat and communicate the challenges soldiers face reintegrating into civilian life. Director Josh Fox reflects on making theatre out of the experience of being a soldier in 21st-century Iraq.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2010) 54 (3 (207)): 150–158.
Published: 01 September 2010
Abstract
View articletitled, Driving Deeper into That Thing: The Humanity of Heiner Goebbels's Stifters Dinge
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for article titled, Driving Deeper into That Thing: The Humanity of Heiner Goebbels's Stifters Dinge
Heiner Goebbels's music theatre work Stifters Dinge is a performance without human performers, a “no-man show” in which things are the thing. In its exhibition of mobile scenic elements and automated musical instruments, it is a meditation on objecthood, materality, and the environment that nevertheless reveals a humanity at its center.