The concept of a “meteorological choreography” questions the boundaries between human and nonhuman actors onstage, calling for a broader engagement with the shift in human-nonhuman and nature-culture relations in the face of weather and climate catastrophes. Mette Ingvartsen’s The Artificial Nature Project , George Kuchar’s video series Weather Diaries , and the events of hurricane Katrina, reveal weather as historic, political, economic, ecological, geological, and meteorological movements in which human actions are radically decentered.