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Gillian Lipton
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Publisher: Journals Gateway
TDR/The Drama Review (2009) 53 (4 (204)): 171–176.
Published: 01 November 2009
Abstract
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By subverting the visual, Beth Gill's choreography opens danced performance to a broader field of sensation. Through this feminist strategy, her piece revisits foundational questions about the politics of perception and dance production.