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Grant Guangren Shen
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Publisher: Journals Gateway
TDR/The Drama Review (2001) 45 (3 (171)): 134–148.
Published: 01 September 2001
Abstract
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Zaju, a Chinese theatre genre, has not been staged for 500 years. Kabuki has never been performed in English in Asia. In Singapore, a vigorously multicultural city, Shen directed English-language productions of zaju and kabuki. Are such productions “authentic”? What does authentic mean these days?