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Heiner Goebbels
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (1 (209)): 46–51.
Published: 01 March 2011
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The experimental work with the human voice in contemporary compositions often simply ignores the genuine connection of the voice to expression and to the body. The voice is not a “neutral” instrument, but always intertwined with its very character of impartation and its physical body.