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Publisher: Journals Gateway
TDR/The Drama Review (2002) 46 (3 (175)): 54–81.
Published: 01 September 2002
Abstract
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Toni Braxton brought an unexpected and improvisational variable to the controlled, closed system of Disney's Broadway hit, Beauty and the Beast. The magical Braxton sultriness threatened to radically deconstruct the production, exposing the Disney project as a whole.