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Publisher: Journals Gateway
TDR/The Drama Review (2017) 61 (3 (235)): 165–172.
Published: 01 September 2017
AbstractView article PDF
On a bare stage, the four “individuals” of Halory Goerger and Antoine Defoort’s Germinal build a world, one that is neither imaginary nor real, but strictly theatrical. In this playful meditation upon the problems and pleasures of progressing from consciousness to communication, the actors’ studied amateurishness proposes a productive confusion between actor, character, and spectator.