Skip Nav Destination
1-1 of 1
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (3 (223)): 124–155.
Published: 01 September 2014
AbstractView article PDF
Are theatre texts documents of rapidly changing events in times of extreme complexity? If so, then what kind of documents are they? These questions provided the first motivation for writing Could You Please Look into the Camera? The second motivation was purely personal: the Assad regime’s program of arbitrary detention had stepped up the frequency of arrests, creating a republic of fear. This ugly fear that Syrians now share—whether arrested or not—had to be exposed in public.