Skip Nav Destination
1-1 of 1
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Publisher: Journals Gateway
TDR/The Drama Review (1998) 42 (4 (160)): 56–74.
Published: 01 December 1998
AbstractView article PDF
In the mode of Athey, Orlan, and Stelarc, a British performance artist pierces his flesh and opens his sphincters in his abject-celebratory attempt “to achieve a purity of emotion.”