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Paul Rae
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2016) 60 (4 (232)): 162–165.
Published: 01 December 2016
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (4 (228)): 117–132.
Published: 01 December 2015
Abstract
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Assemblage theory provides a framework for registering the active roles played by nonhuman entities in the creation of theatrical events. In particular, it enables a greater appreciation of how technical and other theatrical production elements inform performance analysis. In the Wooster Group’s House/Lights , people and things make equal attentional demands upon the audience; appropriately, a documentary on installing the production makes this most apparent. Additionally, the National Theatre’s Frankenstein performs these animating forces as a theatrical virtue.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (1 (209)): 161–164.
Published: 01 March 2011
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2010) 54 (3 (207)): 178–180.
Published: 01 September 2010
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2007) 51 (1 (193)): 119–137.
Published: 01 March 2007
Abstract
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Singha the Courtesy Lion and the Merlion, a touristic icon, are among several leonine symbols deployed by the Singaporean state in its persistent effort to manage national identity and police subjectivity. Artists have responded with playful and affective inscriptions of a “feline imaginary” that expands and contests the narrow terms of the official symbology.