How should we understand the mobile phone images uploaded to the internet during the ongoing Syrian Revolution? Are the broken-up and incomplete images taken by Syrians an extension of their physical experiences? Are mobile phones extensions of photographers' brains, of their bodies, of their beings?

This mockumentary in the form of a self-interview takes a sidelong glance at the role of the artist in Lebanon, a country torn apart by years of civil strife and war.

Three Posters plays with fiction and truth by offering a voyeuristic view of multiple takes of Jamal Sati's farewell video testimonial, recorded shortly before his suicide mission, and juxtaposing them with an actor's real-time testimonial. The videos consider the limits of truth and its representations, asking: Were the artists violating the sacred space of the martyr in order to critique the concept of martyrdom and the powers that nourish such ideologies?