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Rhonda Garelick
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2019) 63 (3 (243)): 128–147.
Published: 01 September 2019
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When recognizable designer couture costumes the modernist stage, it adds layers of aesthetic, choreographic, and social meaning via extrascenic reference, a capacity to alter and reshape bodily movements, and the relationship to the pleasures and politics of women’s material culture. Onstage couture can confer a kind of contemporary mythological resonance upon performance — what I call the “mythic fashion unconscious.”
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2009) 53 (2 (202)): 150–157.
Published: 01 June 2009
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In the summer of 2008, French performance artist ORLAN launched a large-scale political, psychoanalytic, and philosophical meditation on the roles of artist and spectator in the installation Suture, Hybridization, Recyclage , bringing together a new kind of biogenetic fusion process; work by young Spanish designer David Delfin (Davidelfin); a text by philosopher Michel Serres; and furniture by designer Philippe Starck.