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Rizvana Bradley
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2018) 62 (1 (237)): 14–30.
Published: 01 March 2018
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Anna Rose Holmer’s 2015 feature film debut, The Fits , advances the stakes of black performance, particularly in relation to the critical interrogation of the loss of gesture in the history of cinema. Thinking about migration in close association with the gestural, the continued migration of gesture is endemic to black social dance forms, and this fundamentally migratory quality is central to the film’s political and aesthetic imagination.
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (1 (225)): 161–166.
Published: 01 March 2015
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The performance of Senga Nengudi’s sculptural work R.S.V.P. , as part of the exhibition Radical Presence: Black Performance in Contemporary Art , explores the limits of sculptural form, while also submitting idealized representations of the black body in contemporary performance to abstract interrogation.