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Journal Articles

Merce Cunningham and the Aesthetic of Collage

Roger Copeland
Publisher: Journals Gateway
TDR/The Drama Review (2002) 46 (1 (173)): 11–28.
DOI: https://doi.org/10.1162/105420402753555822
Published: 01 March 2002
Abstract
Collage has been central to Cunningham's work from the very beginning in the 1950s. Unlike Wagner's Gesamtkunstwerk, which exemplifies a hunger for wholeness, collage appeals to an age that has come to distrust claims of closure, “unity,” and fixed boundaries.
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