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Sara Brady
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (4 (212)): 168–170.
Published: 01 December 2011
View articletitled, Dramaturgy of the Real on the World Stage. Edited by Carol Martin. Basingstoke: Palgrave Macmillan, 2010; 309 pp.; illustrations. £55.00 cloth, e-book available
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for article titled, Dramaturgy of the Real on the World Stage. Edited by Carol Martin. Basingstoke: Palgrave Macmillan, 2010; 309 pp.; illustrations. £55.00 cloth, e-book available
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2009) 53 (2 (202)): 139–145.
Published: 01 June 2009
Abstract
View articletitled, “It Don't Gitmo Better”: Scenes from the Coney Island Waterboarding Thrill Ride
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for article titled, “It Don't Gitmo Better”: Scenes from the Coney Island Waterboarding Thrill Ride
A reflection on Coney Island's Waterboarding Thrill Ride , an animatronic installation by Steve Powers that gives viewers a chance to experience the Bush administration—approved “enhanced interrogation technique”—and for only a dollar, folks!
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2007) 51 (4 (196)): 162–167.
Published: 01 December 2007
Abstract
View articletitled, Cargo Sofia : A Bulgarian Truck Ride through Dublin
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for article titled, Cargo Sofia : A Bulgarian Truck Ride through Dublin
Reappropriating the iconography of “America” as portrayed in Melville's Moby-Dick, the New York-based Radiohole offers in Fluke what Steve Luber dubs a hyperreal performance. The hyperreal is also what happened to Sara Brady when she rode through Dublin with the international trio Rimini Protokoll as they reimagined the journey as a trek from Bulgaria to Ireland. The last Critical Act takes place in Tangier where Khalid Amine found Zoubeir Ben Bouchta's Lalla J'mila a negotiation of the terrains of law, gender, and “place-specific” theatre.
Journal Articles
A History of Irish Theatre 1600–2000
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2003) 47 (3 (179)): 188–191.
Published: 01 September 2003
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2002) 46 (1 (173)): 170–174.
Published: 01 March 2002
Journal Articles
Touchstone—How Radical Is Radical?
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2001) 45 (3 (171)): 8–23.
Published: 01 September 2001
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2000) 44 (3 (167)): 51–74.
Published: 01 September 2000
Abstract
View articletitled, Welded to the Ladle: Steelbound and Non-Radicality in Community-Based Theatre
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for article titled, Welded to the Ladle: Steelbound and Non-Radicality in Community-Based Theatre
When big steel left Bethlehem, Pennsylvania, thousands of workers were out of jobs. A community-based theatre project adapts Aeschylus's Prometheus Bound to recollect and deal with the situation. But is Bethlehem Steel off the hook?