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Publisher: Journals Gateway
TDR/The Drama Review (2013) 57 (1 (217)): 176–179.
Published: 01 March 2013
AbstractView article PDF
The text and original productions of Peer Gynt were saturated with late 19th-century Norwegian romanticism, upholding the nation's independence from other European countries and its unique identity. But a production by Den National Scene arguably becomes pan-European in its quest to achieve impact and originality.