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TDR/The Drama Review (2017) 61 (3 (235)): 12–35.
Published: 01 September 2017
AbstractView article PDF
Spectatorship is shaped by structures of feeling that link individuals to the social both in and out of the theatre. The Indian concept of “rasika,” in which reception operates at the union of knowledge and feeling, illuminates the responses of audience members who share Khan’s experience of cultural hybridity and transnational mobility, even as Khan acknowledges spectators who do not share his cultural references.
Listening in Detail: Performances of Cuban Music. By Alexandra T. Vazquez. Durham, NC: Duke University Press, 2013; 333 pp.; illustrations. $80.96 cloth, $20.49 paper
TDR/The Drama Review (2015) 59 (3 (227)): 178–180.
Published: 01 September 2015
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India . By Susan Seizer. Durham: Duke University Press, 2005; 464 pp.; 62 illustrations. $89.95 cloth; $24.95 paper.
TDR/The Drama Review (2006) 50 (4 (192)): 185–186.
Published: 01 December 2006
TDR/The Drama Review (2003) 47 (1 (177)): 195–197.
Published: 01 March 2003