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Publisher: Journals Gateway
TDR/The Drama Review (2015) 59 (2 (226)): 103–113.
Published: 01 June 2015
AbstractView article PDF
Why is “respect” the order of the day for the dead, such as Margaret Thatcher, upon their dying? Was Walter Benjamin right when he pointed to death and its trimmings as that which lends authority to the storyteller? And how might performance short circuit narratives so motored?