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Stephen Miles
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Publisher: Journals Gateway
TDR/The Drama Review (2010) 54 (2 (T206)): 126–154.
Published: 01 June 2010
Abstract
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A performance of Cage's Song Books was staged at a major exhibition of Beuys's multiples. Richard Schechner's taxonomy of performance—drama, script, theater, and performance—offers a structure for exploring thematic intersections between Cage's Song Books and Beuys's artworks, and for considering the audience's participation in the event.