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Tarryn Li-Min Chun
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Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2019) 63 (3 (243)): 155–163.
Published: 01 September 2019
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Thunderstorm 2.0 at the 2018 Under the Radar Festival introduced a modern Chinese classic to US audiences via radical adaptation and an assemblage of textual deconstruction, live-feed video, and Suzhou pingtan performance. It offered a timely interrogation of gender politics and deftly triangulated among tensions of live vs. mediated performance, folk traditions vs. modern drama, Chinese text vs. foreign context, and re-presenting a canonical play vs. flying “under the radar.”
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2014) 58 (1 (221)): 108–117.
Published: 01 March 2014
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The productions of the Shanghai Theatre Academy Winter Institute 2013 performance series ranged from a Yue opera adaptation of Ibsen's The Lady from the Sea to modern dance theatre to an exhibition by students. Each production worked in a unique way within the framework of the encounter between foreign and local, guest and host. Together they offered a vision of cross-cultural theatrical exchange that is reconstitutive and inclusionary.