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W.B. Worthen
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Journal Articles
Tragedy and Dramatic Theatre
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2017) 61 (3 (235)): 180–181.
Published: 01 September 2017
Journal Articles
Publisher: Journals Gateway
TDR/The Drama Review (2011) 55 (1 (209)): 153–159.
Published: 01 March 2011
View articletitled, This Wide and Universal Theater: Shakespeare in Performance Then and Now. By David Bevington. Chicago: University of Chicago Press, 2009; xi + 242 pp. $25.00 cloth, $16.00 paper. Shakespeare's Globe: A Theatrical Experiment. Edited by Christie Carson and Farah Karim-Cooper. Cambridge: Cambridge University Press, 2008; xxii + 268 pp. $81.00 cloth, $25.99 paper. Shakespeare and Impure Aesthetics. By Hugh Grady. Cambridge: Cambridge University Press, 2009; ix + 261 pp. $99.00 cloth. Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. By Carol Chillington Rutter. London: Routledge, 2007; xxii + 250 pp. $125.00 cloth, $35.95 paper
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PDF
for article titled, This Wide and Universal Theater: Shakespeare in Performance Then and Now. By David Bevington. Chicago: University of Chicago Press, 2009; xi + 242 pp. $25.00 cloth, $16.00 paper. Shakespeare's Globe: A Theatrical Experiment. Edited by Christie Carson and Farah Karim-Cooper. Cambridge: Cambridge University Press, 2008; xxii + 268 pp. $81.00 cloth, $25.99 paper. Shakespeare and Impure Aesthetics. By Hugh Grady. Cambridge: Cambridge University Press, 2009; ix + 261 pp. $99.00 cloth. Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. By Carol Chillington Rutter. London: Routledge, 2007; xxii + 250 pp. $125.00 cloth, $35.95 paper
Journal Articles
Concerning Theory for Performance Studies
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2009) 53 (1 (201)): 7–46.
Published: 01 March 2009
Abstract
View articletitled, Concerning Theory for Performance Studies
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for article titled, Concerning Theory for Performance Studies
In 2007, Routledge published Theory for Performance Studies as part of its Theory 4 series, listing Philip Auslander as author. When, in August, The Chronicle of Higher Education revealed that much of the book was lifted word-for-word from the template for the series, Theory for Religious Studies by Timothy K. Beal and William E. Deal, TDR editor Richard Schechner convened via email and phone conversations a “ TDR Forum,” asking leaders in the field to respond to the book and the series. Schechner and other respondents address issues of plagiarism, corporate takeovers of academic publishing, and the dumbing down of performance studies, asking why a notable scholar such as Auslander would undertake such an egregious piece of “scholarship.” Deal and Beal answer some questions put to them by Schechner, and Routledge's Claire L'Enfant and Talia Rodgers offer their perspectives.
Journal Articles
Antigone's Bones
UnavailablePublisher: Journals Gateway
TDR/The Drama Review (2008) 52 (3 (199)): 10–33.
Published: 01 September 2008
Abstract
View articletitled, Antigone's Bones
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for article titled, Antigone's Bones
Returning to a formative moment in the discourse of performance studies with a glancing dialogue between Richard Schechner and Michael Goldman, this article traces a series of efforts by Benjamin Bennett, Herbert Blau, Elin Diamond, and Stanton Garner, among others, to seize the work of dramatic performance as performance and to develop a critical vocabulary that understands dramatic theatre as an encounter with writing rather than as a reinscription of the archive.