Current debates on Europe and European culture illustrate the growing difficulties in agreeing on the meaning of Europe. More than ever, Europe is a contested concept. Through a conceptual analysis, this article outlines different positions taken in filling the concept of Europe with meaning. The focus is on Europe as a culture. In line with modern cultural theory, articulations of Europe as a culture may be viewed as displaced within a gamut going from the most essentialist to the most constructivist. Essentialist articulations of European culture typically follow the traditional model of culture as it has been fixed through the nation-states. As is shown in the article, attempts of articulating a European culture along the lines of nations run into conceptual troubles. Recently, a more constructivist mood has come to dominate the ways Europe can be given meaning. A shift from culture to identity has marked this new constructivism. But constructivism also points in the direction of a political field where culture is challenged by a political vocabulary. This article demonstrates the different transfers from a cultural to a political field in current statements on European culture.
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March 01 2002
Europe and European culture - a conceptual analysis1 Open Access
Jan Ifversen
Online ISSN: 1469-8307
Print ISSN: 1461-6696
Copyright Taylor & Francis
2002
Taylor & Francis
This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the use is non-commercial and the original work is properly cited. For a full description of the license, please visit https://creativecommons.org/licenses/by-nc/4.0/legalcode.
European Societies (2002) 4 (1): 1–26.
Citation
Jan Ifversen; Europe and European culture - a conceptual analysis1. European Societies 2002; 4 (1): 1–26. doi: https://doi.org/10.1080/14616690220130973
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