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Spring 2011
April 01 2011
Genealogy of “ZANG TUMB TUMB”: Experimental Phonetics, Vers Libre, and Modernist Sound Art
Robert Michael Brain
Robert Michael Brain
Robert Michael Brain teaches history of science and European cultural history at the University of British Columbia in Vancouver. He is a co-editor of Hans Christian Ørsted and the Romantic Legacy in Science (Springer, 2007) and a forthcoming volume on Varieties of Empathy in Science, Art, and Culture. He is preparing a monograph titled The Pulse of Modernism: Experimental Physiology, Aesthetics, and Avant-Garde Arts.
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Robert Michael Brain
Robert Michael Brain teaches history of science and European cultural history at the University of British Columbia in Vancouver. He is a co-editor of Hans Christian Ørsted and the Romantic Legacy in Science (Springer, 2007) and a forthcoming volume on Varieties of Empathy in Science, Art, and Culture. He is preparing a monograph titled The Pulse of Modernism: Experimental Physiology, Aesthetics, and Avant-Garde Arts.
Online Issn: 1536-0105
Print Issn: 1526-3819
© 2011 by Grey Room, Inc. and the Massachusetts Institute of Technology.
2011
Grey Room (2011) (43): 88–117.
Citation
Robert Michael Brain; Genealogy of “ZANG TUMB TUMB”: Experimental Phonetics, Vers Libre, and Modernist Sound Art. Grey Room 2011; (43): 88–117. doi: https://doi.org/10.1162/GREY_a_00026
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