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Spring 2014
April 01 2014
Rethinking Sekula from the Global South: Humanist Photography Revisited
Tamar Garb
Tamar Garb
Tamar Garb is Durning Lawrence Professor in Art History, University College London. Her work ranges from studies on sexuality, gender, and visuality in late nineteenth-century France to art and politics in post-apartheid South Africa. Publications include The Painted Face: Portraits of Women in France, 1814–1914 (Yale University Press, 2008) and Figures and Fictions: Contemporary South African Photography (V&A/Steidl, 2011).
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Tamar Garb
Tamar Garb is Durning Lawrence Professor in Art History, University College London. Her work ranges from studies on sexuality, gender, and visuality in late nineteenth-century France to art and politics in post-apartheid South Africa. Publications include The Painted Face: Portraits of Women in France, 1814–1914 (Yale University Press, 2008) and Figures and Fictions: Contemporary South African Photography (V&A/Steidl, 2011).
Online Issn: 1536-0105
Print Issn: 1526-3819
© 2014 by Grey Room, Inc. and the Massachusetts Institute of Technology.
2014
Grey Room (2014) (55): 34–57.
Citation
Tamar Garb; Rethinking Sekula from the Global South: Humanist Photography Revisited. Grey Room 2014; (55): 34–57. doi: https://doi.org/10.1162/GREY_a_00140
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