Skip Nav Destination
Article navigation
Fall 2016
October 01 2016
Jack Burnham's “Real Time”: Sculpture as System, 1967–1969
Courtney Fiske
Courtney Fiske
Courtney Fiske is a Ph.D. candidate in Art History at Columbia University. Her research centers on American art of the post–World War II period.
Search for other works by this author on:
Courtney Fiske
Courtney Fiske is a Ph.D. candidate in Art History at Columbia University. Her research centers on American art of the post–World War II period.
Online Issn: 1536-0105
Print Issn: 1526-3819
© 2016 by Grey Room, Inc. and the Massachusetts Institute of Technology.
2016
Grey Room (2016) (65): 62–87.
Citation
Courtney Fiske; Jack Burnham's “Real Time”: Sculpture as System, 1967–1969. Grey Room 2016; (65): 62–87. doi: https://doi.org/10.1162/GREY_a_00204
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
Advertisement
Cited By
Related Articles
Systems and Automatisms: Jack Burnham, Stanley Cavell and the Evolution of a Neoliberal Aesthetic
Leonardo (February,2014)
Art in the Information Age: Technology and Conceptual Art
Leonardo (August,2002)
Art, Aliens and the Machine
Leonardo (October,2018)
Jack Burnham Redux: The Obsolete in Reverse?
Grey Room (October,2016)
Related Book Chapters
Jack Kilby
Portraits In Silicon
Setting Up and Jacking In
Everybody's Guide to the Internet
Jack D. Cowan
Talking Nets: An Oral History of Neural Networks
19 An Interview with Jack Cowan
The Mechanical Mind in History