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Spring 2017
April 01 2017
The Subject of Black: Abstraction and the Politics of Race in the Expanded Cinema Environment
Nadja Millner-Larsen
Nadja Millner-Larsen
Nadja Millner-Larsen is a Lecturer in Visual Cultures at Goldsmiths, University of London. Her work has appeared in Women's Studies Quarterly, Triple Canopy, and Art Monthly, and she is coeditor of the GLQ special issue “Queer Commons” (forthcoming in 2018). She is currently preparing a book manuscript titled “Up Against the Real” and will be a postdoctoral fellow at the Getty Research Institute in 2017–18.
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Nadja Millner-Larsen
Nadja Millner-Larsen is a Lecturer in Visual Cultures at Goldsmiths, University of London. Her work has appeared in Women's Studies Quarterly, Triple Canopy, and Art Monthly, and she is coeditor of the GLQ special issue “Queer Commons” (forthcoming in 2018). She is currently preparing a book manuscript titled “Up Against the Real” and will be a postdoctoral fellow at the Getty Research Institute in 2017–18.
Online Issn: 1536-0105
Print Issn: 1526-3819
© 2017 by Grey Room, Inc. and the Massachusetts Institute of Technology.
2017
Grey Room, Inc. and the Massachusetts Institute of Technology.
Grey Room (2017) (67): 64–99.
Citation
Nadja Millner-Larsen; The Subject of Black: Abstraction and the Politics of Race in the Expanded Cinema Environment. Grey Room 2017; (67): 64–99. doi: https://doi.org/10.1162/GREY_a_00219
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