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Fall 2020
December 01 2020
Technical Existence
Max Bense
Max Bense
Max Bense (1910–1990) wrote works that theorize mathematics and the natural sciences, technics, aesthetics, semiotics, and cybernetics, whose analysis he helped inaugurate in Germany. He also authored experimental prose and poetry, and he edited a number of aesthetically avant-garde journals, including Augenblick and edition rot, often with his collaborator Elisabeth Walther. A seminal member of the faculty at the Hochschule für Gestaltung Ulm, Bense held a professorship for philosophy at the Technische Hochschule Stuttgart (later Universität Stuttgart) for the majority of his academic career.
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Max Bense
Max Bense (1910–1990) wrote works that theorize mathematics and the natural sciences, technics, aesthetics, semiotics, and cybernetics, whose analysis he helped inaugurate in Germany. He also authored experimental prose and poetry, and he edited a number of aesthetically avant-garde journals, including Augenblick and edition rot, often with his collaborator Elisabeth Walther. A seminal member of the faculty at the Hochschule für Gestaltung Ulm, Bense held a professorship for philosophy at the Technische Hochschule Stuttgart (later Universität Stuttgart) for the majority of his academic career.
Online Issn: 1536-0105
Print Issn: 1526-3819
© 2020 by Grey Room, Inc. and the Massachusetts Institute of Technology.
2020
Grey Room, Inc. and the Massachusetts Institute of Technology.
Grey Room (2020) (81): 48–71.
Citation
Max Bense; Technical Existence. Grey Room 2020; (81): 48–71. doi: https://doi.org/10.1162/grey_a_00309
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