Manual Operations: Joan Lyons's Haloid Xerox Works and Feminized Labor

Michelle Donnelly is a Ph.D. candidate in the history of art at Yale University. Her research focuses on the politics of materiality, intermediality, and process in twentieth-century American art. Prior to joining Yale, she was a Curatorial Fellow at the Whitney Museum of American Art, where she curated Experiments in Electrostatics: Photocopy Art from the Whitney's Collection, 1966–1986 (2017–18).