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No. 39
Spring 2010
Issue Cover
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ISSN 1526-3819
EISSN 1536-0105
In this Issue

Special Issue: Walter Benjamin's Media Tactics: Optics, Perception, and the Work of Art

Contributors
Grey Room (2010) (39): 4.
View articletitled, Contributors
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Editors' Introduction Walter Benjamin's Media Tactics: Optics, Perception, and the Work of Art
Michael W. Jennings, Tobias Wilke
Grey Room (2010) (39): 6–9.
View articletitled, Editors' Introduction Walter Benjamin's Media Tactics: Optics, Perception, and the Work of Art
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The Work of Art in the Age of Its Technological Reproducibility [First Version]
Walter Benjamin, Michael W. Jennings
Grey Room (2010) (39): 11–37.
View articletitled, The Work of Art in the Age of Its Technological Reproducibility [First Version]
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Tacti(ca)lity Reclaimed: Benjamin's Medium, the Avant-Garde, and the Politics of the Senses
Tobias Wilke
Grey Room (2010) (39): 39–55.
View articletitled, Tacti(ca)lity Reclaimed: Benjamin's Medium, the Avant-Garde, and the Politics of the Senses
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Benjamin, Wittgenstein, and Philosophical Anthropology: A Reevaluation of the Mimetic Faculty
Blair Ogden
Grey Room (2010) (39): 57–73.
View articletitled, Benjamin, Wittgenstein, and Philosophical Anthropology: A Reevaluation of the Mimetic Faculty
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“Radically Uncolorful Painting”: Walter Benjamin and the Problem of Cubism
Annie Bourneuf
Grey Room (2010) (39): 74–93.
View articletitled, “Radically <em>Uncolorful Painting</em>”: Walter Benjamin and the Problem of Cubism
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The Work of Art and Its Formal and Genealogical Determinations: Benjamin's “Cool Place” between Kant and Nietzsche
Gerhard Richter
Grey Room (2010) (39): 95–113.
View articletitled, The Work of Art and Its Formal and Genealogical Determinations: Benjamin's “Cool Place” between Kant and Nietzsche
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