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Issues

No. 55
Spring 2014
Issue Cover
All Issues
ISSN 1526-3819
EISSN 1536-0105
In this Issue

Special Issue: Allan Sekula and the Traffic In Photographs

Contributors
Grey Room (2014) (55): 4–5.
View articletitled, Contributors
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Editors' Introduction: Allan Sekula and the Traffic in Photographs
Marie Muracciole, Benjamin J. Young
Grey Room (2014) (55): 6–15.
View articletitled, Editors' Introduction: Allan Sekula and the Traffic in Photographs
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An Eternal Esthetics of Laborious Gestures
Allan Sekula
Grey Room (2014) (55): 16–27.
View articletitled, An Eternal Esthetics of Laborious Gestures
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Photography and the Limits of National Identity
Allan Sekula
Grey Room (2014) (55): 28–33.
View articletitled, Photography and the Limits of National Identity
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Rethinking Sekula from the Global South: Humanist Photography Revisited
Tamar Garb
Grey Room (2014) (55): 34–57.
View articletitled, Rethinking Sekula from the Global South: Humanist Photography Revisited
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Counter-forensics and Photography
Thomas Keenan
Grey Room (2014) (55): 58–77.
View articletitled, Counter-forensics and Photography
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Arresting Figures
Benjamin J. Young
Grey Room (2014) (55): 78–115.
View articletitled, Arresting Figures
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Allan Sekula, or What Is Photography?
Benjamin H.D. Buchloh
Grey Room (2014) (55): 116–129.
View articletitled, Allan Sekula, or What Is Photography?
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Found Paintings, Disassembled Movies, World Images
Allan Sekula, Carles Guerra
Grey Room (2014) (55): 130–141.
View articletitled, Found Paintings, Disassembled Movies, World Images
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Allan Sekula's Ship of Fools/The Dockers' Museum
Hilde Van Gelder
Grey Room (2014) (55): 142–145.
View articletitled, Allan Sekula's <em>Ship of Fools/The Dockers' Museum</em>
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