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No. 94
Winter 2024
Issue Cover
All Issues
ISSN 1526-3819
EISSN 1536-0105
In this Issue

Contributors

Contributors
Grey Room (2024) (94): 4–5.
View articletitled, Contributors
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Editors' Introduction: Art beyond Copyright
Noam M. Elcott, Amy Adler
Grey Room (2024) (94): 6–19.
View articletitled, Editors' Introduction: Art beyond Copyright
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Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith
Amy Adler, Lionel Bently, Susan Bielstein, Johanna Burton, Martha Buskirk ...
Grey Room (2024) (94): 20–49.
View articletitled, Roundtable on <em>Warhol v. Goldsmith</em>: An Introduction to <em>Warhol v. Goldsmith</em>
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Dossier on Art and Law

The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith
Jennifer E. Rothman
Grey Room (2024) (94): 51–55.
View articletitled, The Absent Prince: Reflections on Personality Rights and <em>Andy Warhol Foundation v. Goldsmith</em>
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The Work of Copyright Law in the Age of Generative AI
Kate Crawford, Jason Schultz
Grey Room (2024) (94): 56–62.
View articletitled, The Work of Copyright Law in the Age of Generative AI
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Moral Rights: The Anti-copyright
Amy Adler
Grey Room (2024) (94): 63–66.
View articletitled, Moral Rights: The Anti-copyright<sup></sup>
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Contractual Practices
Lauren van Haaften-Schick
Grey Room (2024) (94): 67–72.
View articletitled, Contractual Practices
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Trademark Law and the Contingent Art Object
Xiyin Tang
Grey Room (2024) (94): 73–76.
View articletitled, Trademark Law and the Contingent Art Object
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“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law
Stina Teilmann-Lock
Grey Room (2024) (94): 77–81.
View articletitled, “What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law
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An Introduction to Cultural Heritage Law
Patty Gerstenblith
Grey Room (2024) (94): 82–87.
View articletitled, An Introduction to Cultural Heritage Law<sup></sup>
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The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art
Anne Hilker
Grey Room (2024) (94): 88–113.
View articletitled, The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art
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The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's Bar at the Folies-Bergère
Noam M. Elcott
Grey Room (2024) (94): 114–163.
View articletitled, The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's <em>Bar at the Folies-Bergère</em>
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