Established in 1908 as the investigative division of the Department of Justice, the Federal Bureau of Investigation (FBI) soon moved beyond law enforcement to include monitoring of radical activists and organizations and then after 1936 to conducting “intelligence” investigations. The purpose of the latter was not simply to anticipate planned espionage and sabotage threats but also to monitor those who could influence the political culture. The targets included Hollywood producers, directors, writers, and actors; German émigré writers and playwrights; prominent writers (including prominent sociologists); and liberal and radical journals of opinion (The Nation; I. F. Stone's Weekly). In 1960, FBI Director J. Edgar Hoover authorized a special index, the Reserve Index, to list for possible detention any individuals who “are in a position to influence others against the national interest or are likely to furnish financial or other material aid to subversive elements due to their subversive associations...
Skip Nav Destination
Article navigation
Summer 2015
July 01 2015
F. B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature
William J.
Maxwell
, F. B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature
. Princeton, NJ
: Princeton University Press
, 2015
. 367 pp. $29.95
.
Athan Theoharis
Athan Theoharis
Marquette University
Search for other works by this author on:
Athan Theoharis
Marquette University
Online ISSN: 1531-3298
Print ISSN: 1520-3972
© 2015 by the President and Fellows of Harvard College and the Massachusetts Institute of Technology
2015
Massachusetts Institute of Technology
Journal of Cold War Studies (2015) 17 (3): 236–237.
Citation
Athan Theoharis; F. B. Eyes: How J. Edgar Hoover's Ghostreaders Framed African American Literature. Journal of Cold War Studies 2015; 17 (3): 236–237. doi: https://doi.org/10.1162/JCWS_r_00571
Download citation file:
Sign in
Don't already have an account? Register
Client Account
You could not be signed in. Please check your email address / username and password and try again.
Could not validate captcha. Please try again.
Sign in via your Institution
Sign in via your InstitutionEmail alerts
17
Views
Advertisement
Cited By
Related Articles
WHO LET “THE PIGS” OUT? OR WHY EDGAR ALLAN POE WOULDN'T, OR COULDN'T, OR ALMOST CERTAINLY DIDN'T WRITE THE MOST SNARKY AMERICAN POEM OF 1835
The New England Quarterly (March,2015)
Eye Contact: Mesmeric Revelations in Baltimore
TDR/The Drama Review (December,2018)
Framing William Albertson: The FBI's “Solo” Operation and the Cold War
Journal of Cold War Studies (August,2020)
I. F. Stone: Encounters with Soviet Intelligence
Journal of Cold War Studies (July,2009)
Related Book Chapters
Early Literature
Israel and the World Economy: The Power of Globalization
Framing the Aesthetic
Aesthetics Equals Politics: New Discourses across Art, Architecture, and Philosophy
Eye Movements
The Visual Neurosciences, 2-vol. set
Perceptions, Frames, and Narratives
Constructing Green: The Social Structures of Sustainability