Abstract
The arts suffered no crisis in the middle of the seventeenth century, although major changes in style took place around the year 1600. However, a crisis of representation that began in natural philosophy was eventually to become more general. A contrast in tone or mood that was evident between the arts in the first and the second half of the century may be interpreted as a response to economic, social, and political crises.
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© 2009 Massachusetts Institute of Technology and The Journal of Interdisciplinary History, Inc.
2009
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