Contrary to their ubiquity within written, visual, and material sources, chests have largely remained overlooked in studies of the late Middle Ages. Bill Brown’s “thing theory” helps to explicate the ways in which chests can transform from unnoticed “things” in the background to meaningful “objects” when viewed through their entanglements with commercial, consumer, political, and moral concerns. The interdisciplinary study of chests in the late Middle Ages brings together a range of evidence including inventories, guild accounts, court pleas, contemporary writings, images, and material culture from Burgundy, France, and England.