Successful human interaction relies on people's ability to differentiate between the sensory consequences of their own and others' actions. Research in solo action contexts has identified sensory attenuation, that is, the selective perceptual or neural dampening of the sensory consequences of self-produced actions, as a potential marker of the distinction between self- and externally produced sensory consequences. However, very little research has examined whether sensory attenuation distinguishes self- from partner-produced sensory consequences in joint action contexts. The current study examined whether sensory attenuation of the auditory N1 or P2 ERPs distinguishes self- from partner-produced tones when pairs of people coordinate their actions to produce tone sequences that match a metronome pace. We did not find evidence of auditory N1 attenuation for either self- or partner-produced tones. Instead, the auditory P2 was attenuated for self-produced tones compared to partner-produced tones within the joint action. These findings indicate that self-specific attenuation of the auditory P2 differentiates the sensory consequences of one's own from others' actions during joint action. These findings also corroborate recent evidence that N1 attenuation may be driven by general rather than action-specific processes and support a recently proposed functional dissociation between auditory N1 and P2 attenuation.

We investigated whether people monitor the outcomes of their own and their partners' individual actions as well as the outcome of their combined actions when performing joint actions together. Pairs of pianists memorized both parts of a piano duet. Each pianist then performed one part while their partner performed the other; EEG was recorded from both. Auditory outcomes (pitches) associated with keystrokes produced by the pianists were occasionally altered in a way that either did or did not affect the joint auditory outcome (i.e., the harmony of a chord produced by the two pianists' combined pitches). Altered auditory outcomes elicited a feedback-related negativity whether they occurred in the pianist's own part or the partner's part, and whether they affected individual or joint action outcomes. Altered auditory outcomes also elicited a P300 whose amplitude was larger when the alteration affected the joint outcome compared with individual outcomes and when the alteration affected the pianist's own part compared with the partner's part. Thus, musicians engaged in joint actions monitor their own and their partner's actions as well as their combined action outcomes, while at the same time maintaining a distinction between their own and others' actions and between individual and joint outcomes.