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Marie-Hélène Giard
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Journal Articles
Publisher: Journals Gateway
Journal of Cognitive Neuroscience (2013) 25 (3): 365–373.
Published: 01 March 2013
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Neural representation of auditory regularities can be probed using the MMN, a component of ERPs generated in the auditory cortex by any violation of that regularity. Although several studies have shown that visual information can influence or even trigger an MMN by altering an acoustic regularity, it is not known whether audiovisual regularities are encoded in the auditory representation supporting MMN generation. We compared the MMNs elicited by the auditory violation of (a) an auditory regularity (a succession of identical standard sounds), (b) an audiovisual regularity (a succession of identical audiovisual stimuli), and (c) an auditory regularity accompanied by variable visual stimuli. In all three conditions, the physical difference between the standard and the deviant sound was identical. We found that the MMN triggered by the same auditory deviance was larger for audiovisual regularities than for auditory-only regularities or for auditory regularities paired with variable visual stimuli, suggesting that the visual regularity influenced the representation of the auditory regularity. This result provides evidence for the encoding of audiovisual regularities in the human brain.
Journal Articles
Publisher: Journals Gateway
Journal of Cognitive Neuroscience (2008) 20 (1): 49–64.
Published: 01 January 2008
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Timbre characterizes the identity of a sound source. On psychoacoustic grounds, it has been described as a multidimensional perceptual attribute of complex sounds. Using Garner's interference paradigm, we found in a previous behavioral study that three timbral dimensions exhibited interactive processing. These timbral dimensions acoustically corresponded to attack time, spectral centroid, and spectrum fine structure. Here, using event-related potentials (ERPs), we sought neurophysiological correlates of the interactive processing of these dimensions of timbre. ERPs allowed us to dissociate several levels of interaction, at both early perceptual and late stimulus identification stages of processing. The cost of filtering out an irrelevant timbral dimension was accompanied by a late negative-going activity, whereas congruency effects between timbre dimensions were associated with interactions in both early sensory and late processing stages. ERPs also helped to determine the similarities and differences in the interactions displayed by the different pairs of timbre dimensions, revealing in particular variations in the latencies at which temporal and spectral timbre dimensions can interfere with the processing of another spectral timbre dimension.
Journal Articles
Publisher: Journals Gateway
Journal of Cognitive Neuroscience (2006) 18 (12): 1959–1972.
Published: 01 November 2006
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Timbre is a multidimensional perceptual attribute of complex tones that characterizes the identity of a sound source. Our study explores the representation in auditory sensory memory of three timbre dimensions (acoustically related to attack time, spectral centroid, and spectrum fine structure), using the mismatch negativity (MMN) component of the auditory event-related potential. MMN is elicited by a discriminable change in a sound sequence and reflects the detection of the discrepancy between the current stimulus and traces in auditory sensory memory. The stimuli used in the present study were carefully controlled synthetic tones. MMNs were recorded after changes along each of the three timbre dimensions and their combinations. Additivity of unidimensional MMNs and dipole modeling results suggest partially separate MMN generators for different timbre dimensions, reflecting their mainly separate processing in auditory sensory memory. The results expand to timbre dimensions a property of separation of the representation in sensory memory that has already been reported between basic perceptual attributes (pitch, loudness, duration, and location) of sound sources.