After introducing the general advantages of CD-ROM technology as an artistic medium, the author chronicles her initial experiences with the format. Describing the inspiration for the CD-ROM Full Circle, the author outlines the three principal sections of the piece and their significance to its overall message. The article concludes with a discussion of the advantages of the CD-ROM format in subverting the concert-performance space-time continuum and the importance of this to the impact of Full Circle during its presentation.

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