The author traces the evolution of her installations about the military-industrial complex during the 1980s and early 1990s and artworks that emerged as a result of her research. In addition to national and international data, maps, graphs and statistics about the industry, the author over time progressively added regional, site-specific information in order to empower viewers. The process of creating these works revealed the place of the nuclear industry in the author's own family, which ultimately facilitated the design of later installations.

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