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October 2002
October 01 2002
Selections for the Tenth New York Digital Salon
Yuko Hasegawa,
Yuko Hasegawa
Toshio Iwai, Japan Piano-as image media, 1995
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Pipilotti Rist,
Pipilotti Rist
Switzerland, Ever Is Over All, 1997
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Mathieu Briand,
Mathieu Briand
France SYS*017.ReE.06/PiG-EqN/5*8, 2001
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Rafael Lozano-Hemmer,
Rafael Lozano-Hemmer
Mexico Vectorial Elevation, 1999-2002 Hachiya Kazuhiko, Japan, PostPet, 1997
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Chris Cunningham,
Chris Cunningham
United Kingdom All Is Full of Love, 1999
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Yuko Hasegawa
Toshio Iwai, Japan Piano-as image media, 1995
Toshio Iwai
Japan Piano-as image media, 1995
Pipilotti Rist
Switzerland, Ever Is Over All, 1997
Masaki Fujihata
Japan Orchisoid, 2001
Yuji Dougane
Japan Orchisoid, 2001
Mathieu Briand
France SYS*017.ReE.06/PiG-EqN/5*8, 2001
Rafael Lozano-Hemmer
Mexico Vectorial Elevation, 1999-2002 Hachiya Kazuhiko, Japan, PostPet, 1997
Carsten Nicolai
Germany telefunken, 2000
Shirin Neshat
Iran, Turbulent, 1998
Chris Cunningham
United Kingdom All Is Full of Love, 1999
Ryoji Ikeda
Japan Memorandum, 1999
Dumb Type
Japan Memorandum, 1999
Online Issn: 1530-9282
Print Issn: 0024-094X
© 2002 ISAST
2002
Leonardo (2002) 35 (5): 549–558.
Citation
Yuko Hasegawa, Toshio Iwai, Pipilotti Rist, Masaki Fujihata, Yuji Dougane, Mathieu Briand, Rafael Lozano-Hemmer, Carsten Nicolai, Shirin Neshat, Chris Cunningham, Ryoji Ikeda, Dumb Type; Selections for the Tenth New York Digital Salon. Leonardo 2002; 35 (5): 549–558. doi: https://doi.org/10.1162/002409402320774367
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