Abstract
In these experimental notes, the artist reflects on his Net art trilogy, composed of GRAMMATRON, PHON:E:ME and his most recent art project, FILMTEXT, a digital narrative for cross-media platforms. Investigating issues such as digital screenwriting, Net art, digital “thoughtography” and an emergent artificial intelligentsia, the artist theorizes an expanded concept of writing to better explain his project as an evolving, practice-based research initiative, focused primarily on the interface of art, technology and storytelling.
Issue Section:
Artist's Article
This content is only available as a PDF.
© 2004 ISAST
2004
You do not currently have access to this content.