Orai, or How the Text Got Pleated: A Genealogy of La Plissure du Texte: A Planetary Fairytale

This paper is an attempt to make sense of the Japanese word orai and to consider in what way the author's own “comings and goings” across artistic, literary and esoteric pathways led to the formulation of his practice, later to be theorized as telematic art and to be understood as a form of associative connectivism. The paper focuses on La Plissure du Texte, his first project involving distributed authorship.