Abstract
Artists asked to represent sound in a visual way mysteriously re-invented many of the concepts that preside over the mathematical signal transforms used in computer music. Their drawings adopted a systematic 2-dimensional structure and sometimes resembled time-frequency representations such as the Fourier transform. This makes us ponder here over the different criteria of what makes a “good” computer representation for the scientist, and what makes a “good” visual work for the artist.
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Transactions
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© 2009 ISAST
2009
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