ABSTRACT
This article describes experiments in live telematic performance linking U.S. East and West Coast dancers via Internet2. Alternating between a first-person account of one particular stage performance and a theoretical exploration of the same, the authors come to terms with the audiences' newly constituted relationship as technological ruptures alter the immersive pull of live performance.
Issue Section:
Articles
This content is only available as a PDF.
© 2010 ISAST
2010
You do not currently have access to this content.