ABSTRACT
The term “auditory tactics” refers to the contextual listening attitudes and competencies adapted to various private and public auditory contexts, spheres and aural architectures. Auditory Tactics, created for the Pure-Data Convention 2007 in Montréal, is a spatial sound installation designed to interfere and play with the auditory tactics of passersby in a public space by projecting sounds from more private spheres. The novelty of the authors' work is the use of beamforming: a sound projection technology that allows the creation of directional sonic beams resulting in sonic illumination and shadow zones that dynamically interact with architectural surfaces. The authors report the results and lessons of this first artistic experiment with sound beams as a creative sound-projection method.