The author provides an account of his development and experiences as both a visual (mobile) artist and a chemist. He describes the surprising similarities between the planning of the construction of a mobile and the execution of retrosynthetic analysis used to chemically create a particular molecule. The fusion of these two independently initiated mental processes into a common creative act can be referred to as a coalescence of processes. The present article discusses the consequences of this merging for both artistic and scientific practices, as well as its relevance to the artscience concept of idea translation.

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