Abstract
This paper will explore the challenges of presenting unmediated liveness of living tissue engineered sculptures and overcoming the perceptual stillness of the semi-living. By looking at the work of The Tissue Culture Art Project which since 1996 has used living tissue in its artworks, the author explores the strategies of dealing with the presentation of “aliveness” in living, yet seemingly motionless, “objects”.
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©2015 ISAST
2015
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